Day 28 – And now for our prompt (optional, as always). Today, I’d like to challenge you to write a poem using Skeltonic verse. Don’t worry, there are no skeletons involved. Rather, Skeltonic verse gets its name from John Skelton, a fifteenth-century English poet who pioneered the use of short stanzas with irregular meter, but two strong stresses per line (otherwise know as “dipodic” or “two-footed” verse). The lines rhyme, but there’s not a rhyme scheme per se. The poet simply rhymes against one word until he or she gets bored and moves on to another. Here is a good explainer of the form, from which I have borrowed this excellent example:
will be Terse.
Stress used just twice
to keep it nice,
Day 23 – Our daily prompt (optional, as always). Our prompt for Day Twenty-Three comes to us from Gloria Gonsalves, who challenges us to write a double elevenie. What’s that? Well, an elevenie is an eleven-word poem of five lines, with each line performing a specific task in the poem. The first line is one word, a noun. The second line is two words that explain what the noun in the first line does, the third line explains where the noun is in three words, the fourth line provides further explanation in four words, and the fifth line concludes with one word that sums up the feeling or result of the first line’s noun being what it is and where it is. There are some good examples in the link above.
A double elevenie would have two stanzas of five lines each, and twenty-two words in all. It might be fun to try to write your double elevenie based on two nouns that are opposites, like sun and moon, or mountain and sea.
Love & BFF!
In the hands,
Whom it is given,
Film – Serendipity (2001)
Language – English
Genre – Romantic Comedy
Written by – Marc Klein
Director – Peter Chelsom
Producer – Peter Abrams, Simon Fields, Robert L. Levy
Music Director – Alan Silvestri
Cast – John Cusack, Kate Beckinsale
Day 13th – The prompt was given pretty late today, evening around 19:30. Optional prompt for today is an oldie-but-a-goody: the ghazal. The form was originally developed in Arabic and Persian poetry, but has become increasingly used in English, after being popularized by poets including Agha Shahid Ali. A ghazal is formed of couplets, each of which is its own complete statement. Both lined of the first couplet end with the same phrae or end-word, and that end-word is also repeated at the end of each couplet. If you’re really feeling inspired, you can also attempt to incorporate internal rhymes and a reference to your own name in the final couplet. Here are a few examples – Evie Shockley’s “where you are planted,” Ali’s “Tonight,” and Patricia Smith’s “Hip Hop Ghazal.”
It was you!
Why did the cupid introduce you,
When I had no crush on you,
The fate bought me to your direction,
When I wasn’t even searching for you,
Day 11 – NaPoWriMo – Optional prompt for the day: the Bop. The invention of poet Afaa Michael Weaver, the Bop is a kind of combination sonnet + song. Like a Shakespearan sonnet, it introduces, discusses, and then solves (or fails to solve) a problem. Like a song, it relies on refrains and repetition. In the basic Bop poem, a six-line stanza introduces the problem, and is followed by a one-line refrain. The next, eight-line stanza discusses and develops the problem, and is again followed by the one-line refrain. Then, another six-line stanza resolves or concludes the problem, and is again followed by the refrain. Here’s an example of a Bop poem written by Weaver, and here’s another by the poet Ravi Shankar.
Emotional abuse can leave one traumatized!
She has been humiliated,
Her opinions, have been disregarded,
Her appearance, is always judged,
She is always monitored and controlled,
Sharing of feelings, been verbally chastised,
Towards her, they are forever bigoted…..\
Day 9 – NaPoWriMo – Prompt (optional, as always). “Because today is the ninth day of NaPoWriMo, I’d like to challenge you to write a nine-line poem. Although the fourteen-line sonnet is often considered the “baseline” form of verse in English, Sir Edmund Spenser wrote The Faerie Queene using a nine-line form of his own devising, and poetry in other languages (French, most particularly) has always taken advantage of nine-line forms. You can find information of various ways of organizing rhyme schemes, meters, etcetera for nine-line works here. And of course, you can always eschew such conventions entirely, and opt to be a free-verse nine-line poet”.
It was not an occasional dalliance*,
Our love was meant to efflorescence*,
Did not expect you would evanescent*….
Day 8 – NaPoWriMo – Prompt (optional) for today, “I’d like to challenge you to write a poem that relies on repetition. It can be repetition of a phrase, or just a word. Need a couple of examples? Try “The Bells” by Edgar Allen Poe, or Joy Harjo’s “She Had Some Horses”. Poe’s poem creates a relentless, clanging effect through the repetition of the word “bells,” while Harjo’s repeated use of the phrase “she had some horses” and variations thereof gives her poem poem its incantatory effect, while also deepening its central philosophical conceit of what things are the same and what things are different”.
Seems like I have written this prompt along with the day 6th prompt. 😉
Here I am,
Sitting on the bench all alone,
Here I am,
Who is singing duet songs alone,